Elliot Cole

Elliot Cole (*1984) is a composer, performer and "charismatic contemporary bard" (NY Times), whose music evokes “sparkling icicles of sound” (Rolling Stone).  Working with GRAMMY winning vocal ensemble Roomful of Teeth, he scored the breakthrough VR experience Evolver (e.d. Terrence Malick), alongside Jonny Greenwood (Radiohead) and Wu Tang Clan, which previewed at Cannes in 2021.  He has also written for and performed with GRAMMY nominees A Far Cry and Metropolis Ensemble, cellist Gabriel Cabezas (Paul Simon), acclaimed pianists Conor Hanick and David Kaplan, FLUX Quartet, Projeto Arcomusical, and many other groups.

His compositions have been particularly embraced by percussionists.  His Postludes for bowed vibraphone quartet has become a new classic, having been performed by over 250 ensembles, including leading professional groups Amadinda, So Percussion, and Blow Up Roma, as well as student ensembles at nearly all US conservatories.  His series of pieces for flowerpots has turned into another international tradition: every June 21st, people organize community performances of Flowerpot Music (Make Music Day Book).  In 2021, over 450 people performed the work in parks in over 30 cities.

Cole also has a deep interest in early music.  He reads and teaches 14th century mensural notation, and led a weekly singing study group of that music in Brooklyn for several years.  He has frequently collaborated with the medieval ensemble Alkemie, including an original evening-length Death of Arthur.  He has written motets for Gallicantus, one of Britain’s leading Renaissance ensembles, and the viol consort Sonnambula.  He also has performed the 13th century Galician Cantigas de amigo, singing and playing guitar, bass and harmonium.

Creative technology is another major area of interest.  He is a doctoral researcher in algorithmic composition at Princeton University, where he will defend his dissertation, Bloom: a New Approach to Computer Aided Composition in late 2021.  In 2017 he was invited to give a Google Talk about his work in coding and music.  He designed and coded Movements, a VR gestural instrument, for the Currents new media festival in Santa Fe in 2018.  He produces electronic music with analog and modular synthesizers, and has worked variously as a producer, mixing engineer, video editor, and animator.  He runs the publishing house and record label Long Echo Music.

He is a member of the book-club-band Oracle Hysterical, who have written genre-bending, literature-inspired works for over a decade.  They created evening-length shows for the Lucerne Festival (Billy Budd), MATA Festival (The Rake), and National Sawdust (Grimm’s Tales).  Most recently, they wrote The Sea to perform with the string orchestra A Far Cry, and Terra Nova, a show about exploration, for Hub New Music, commissioned by the Peabody Essex Museum and the Five Boroughs Music Festival.  They have released two commercial recordings: Passionate Pilgrim and Hecuba, produced by Cole, both released by the National Sawdust Tracks label.

Cole is also a devoted teacher.  He is on faculty at Juilliard, where he teaches advanced composition and music production for the Evening Division, and at The New School, where he has taught Ableton, SuperCollider, and mentored graduate students in the Performer-Composer program.  Previously, he taught graduate-level 20th century music history at the Manhattan School of Music, theory at Ramapo College, and ear training and counterpoint at Princeton.  He also works for Musicambia, a non-profit organization that creates music education opportunities for incarcerated people.  He has been Musicambia's Program Director at Sing Sing Correctional Facility since 2016, and has led songwriting workshops at facilities in South Carolina, Indiana, and Missouri.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

http://www.beauchampartistservices.com
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